Hardly had I finished posting the blog just below when I read more from that same volume by Hazrat Inayat Khan which I quoted there, and it so captured my soul and imagination that I wanted to share it, too, with you. So here are some further quotes from this great Sufi master and teacher. Although he is writing about sculpture, here, it is simple to translate the essence of his thought to include deep writing. As you read, see what is moved and uplifted in you. If you come away with a sense of recognition ~ or even longing ~ then his writing is successful in awakening, and nourishing, your soul.
When we come to the art of sculpture today, it seems as if the artist is searching; he is trying to reach something that he knows is absent. The soul of the sculptor is seeking for something that seems lost. First of all, by lack of appreciation around him, the artist is discouraged. Next, he is put in the midst of the business world; and the relief which should be given to the heart of the artist, so that he may think of art and nothing else, is not to be found today. There was not so much thought of competition in ancient times; there was not a fixed price for art. Art was invaluable. The admirers of ancient art never considered a work of art as having a fixed price. They always thought that they could never give enough for real art. In that way, art progressed; it was admired.
Besides, the direction of art today is not of the same nature as in ancient times. The direction of ancient art was towards spiritual realization. Love, harmony, and beauty were seen by the artist in their highest aspects. And when the artist loses that direction, then he comes down to earth; instead of going upward, he is going downward....
The scientist is sooner contented with what little he discovers, but the better the work of art, the more the artist feels that there is something still missing; his heart is longing all through his life to produce something more than that. Consciously or unconsciously, every artist is craving for that something which is missing. And if this goes on, no doubt the artist will find it; and on the day when the mystery is found, art will again become a language.
The meditative quality and the practice of concentration should be developed in art, and also the higher ideal; but the material world forms a barrier to all these. It stands in the way of the artist's progress. Nevertheless, there is no doubt that a real artist is always spiritually inclined; he is only hindered by the world, and therefore it is possible that tomorrow the art of sculpture will evolve. It will evolve in fineness and in beauty, and sculptors will also develop their imagery. Then art will culminate in that greatest of achievements, when the artist will really be able to produce a living statue.
The motive behind the whole of creation is to put life into everything. That is its sole objective. In other words, every rock is longing for the day when it will burst out as a volcano, and when all that is valuable in it will come out. Sulfur, diamonds, gold, and silver; everything that is in its heart must come out one day. That is its purpose.
Every tree is longing for the day when it will bear fruit. Love expresses itself through every channel, and it manifests outwardly in order that God may see Himself face to face. And so it is with a work of art. People think that it is the artist who has made it; in reality, it is God who has perfected it. As it is God's pleasure to create the world, so it is also God's pleasure to create through pen and brush and chisel, to give life to what is lifeless. If there is life, it is God. And what is God? God is love, and thus the desire of that love is to manifest in the form of beauty in the realm of art.
[From the book, Sufi Mysticism: Art Yesterday, Today, and Tomorrow, by Hazrat Inayat Khan]
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